A Floating Arrangement (No.1) , 2021, Copper, steel, alkyd paint, acrylic string, epoxy clay, plaster cloth, 126 x 8 x 5 cm, , unique artwork, Photo: Zin Taylor
A Floating Arrangement (No.2) , 2021, Copper, steel, alkyd paint, acrylic string, epoxy clay, plaster cloth, 94 x 10 x 5 cm, , unique artwork, Photo: Zin Taylor
A Floating Arrangement (No.3) , 2021, Copper, steel, alkyd paint, acrylic string, plaster cloth, 60 x 10 x 6 cm, , unique artwork, Photo: Zin Taylor
Void Screen (Two Dots no.1) , 2018, Cut Flower, Cotton cloth, epoxy clay, ink, wood, 119.5 x 76 x 6.5 cm,
Cut Flower (Arm) , 2018, Cut Flower, Acrylic paint, epoxy clay, plaster, string, wire, 157.5 x 112 x 7.5 cm, , unique artwork
Slab (Green) , 2018, Cut Flower, Acrylic paint, plaster, wood, epoxy clay, burlap, 24 x 38 x 15 cm, , unique artwork
Cut Flower (Beard) , 2018, Cut Flower, Acrylic paint, epoxy clay, plaster, string, wire, 178 x 110.5 x 7.5 cm, , unique artwork
Vase (Black Dot) , 2018, Cut Flower, Cotton cloth, epoxy clay, ink, wood, 119.5 x 76 x 6.5 cm, , unique artwork
Slab (Blue) , 2018, Cut Flower, Acrylic paint, plaster, wood, epoxy clay, burlap, 20 x 45.5 x 15 cm, , unique artwork
A vase, a Knife, and a Piece of Fruit (Repeated) , 2018, Cut Flower, Acrylic paint, epoxy clay, ink, plaster cloth, wood, Variable dimensions, , unique artwork
A Structure Choreographed to Filter a Room (Stripe and Dot Arrangement) , 2018, Cut Flower, Acrylic paint, CPVC, plaster cloth, Variable dimensions, , unique artwork
Acrobatic Composition Using Form and Light (The Circus) , 2014, Inkjet color print, acrylic ink, wooden frame, plexi, 84 × 64 cm, , unique artwork, Photo: Zin Taylor
Zig-Zag, Pink thought, and a Curve , 2015, Photograph, card stock, ink, paper!, 50 x 35 cm, , unique artwork
Acrobatic Composition Using Form and Light (Madame Dialogue) , 2014, Inkjet color print, acrylic ink, wooden frame, plexi, 84 × 64 cm, , unique artwork, Photo: Zin Taylor
Relaxed figure, thinking , 2015, Card stock, ink, drawing (ink on paper), 50 x 50cm, , unique artwork
Acrobatic Composition Using Form and Light (The Soft Dot and the Rope of Thought) , 2014, Inkjet color print, acrylic ink, wooden frame, plexi, 84 × 64 cm, , unique artwork, Photo: Zin Taylor
Acrobatic Composition Using Form and Light (A Scene for Two Palms) , 2014, Inkjet color print, acrylic ink, wooden frame, plexi, 84 × 64 cm, , unique artwork, Photo: Zin Taylor
Thoughts collected on the surface of a panel (these thirty-six points are a field of thought), , 2013, MDF, Acrylic Paint, Ink, Brass, 80 × 60 cm,
Thoughts collected on the surface of a panel (The Face) , 2013, MDF, Acrylic Paint, Ink, Brass, 80 × 60 cm,
Thoughts collected on the surface of a panel (snake speaking a pattern) , 2013, MDF, Acrylic Paint, Ink, Brass, 80 × 60 cm,
Bzzzz, said Zig Zag, in the presence of Solid Foam , 2014, Ink, paper, photograph, 70x 50 cm, , unique artwork
The Brain , 2014, Ink, paper, photograph, 70x 50 cm, , unique artwork
Acrobatic Composition Using Form and Light (Medusa in the Hair Salon) , 2014, Inkjet color print, acrylic ink, wooden frame, plexi, 84 × 64 cm, , unique artwork, Photo: Zin Taylor
Sound forms (Square, Diamond, ZigZag)! , 2014, Ink, paper, photograph, snake skin, 70x 50 cm, , unique artwork
A Diagram , 2014, Ink, paper, photograph, 70x 50 cm, , unique artwork
A structure for language onto an organic form 028 , 2011, Color photograph, 32 x 23 cm, , unique artwork
A structure for language onto an organic form 027 , 2011, Color photograph, 32 x 23 cm, , unique artwork
A structure for language onto an organic form 026 , 2011, Color photograph, 32 x 23 cm, , unique artwork
Presentation :
Zin Taylor was born in 1978 in Calgary (Canada), he lives and works in Paris (France)
Like the letters in a word that evolve into a sentence, Zin Taylor's work is shaped through an accumulation of units. Within his propositions, modular elements commingle to develop a distinct language of form. A morphology that is uniquely capable of translating an idea into something active, something generative, something else. In conversation, thoughts about a subject grow into forms about a subject, and from these forms a language of abstraction begins to emerge as a tool to compose with: the dot stretches to become a stripe, the stripe bends into a zigzag, the zigzag softens into a curve, and a description of what thinking can look like is made visual.