Derek Sullivan
, 2013, Photo: Isabelle Giovacchini

#91, Michelangelo Pistoletto , 2013, Coloured pencil on paper, 127 x 98 cm, unique, Photo: Isabelle Giovacchini

, 2013, Photo: Isabelle Giovacchini

#93, Literatur & Katzen & Katzenliteratur , 2013, Coloured pencil on paper, 127 x 98 cm, unique, Photo: Isabelle Giovacchini

, 2012, photo: Aurélien Mole

Peg Rail #7 (Letters to a Young Poet) , 2012, wood rail, glass object, nylon rope, coloured leather, found book, pine Rietveld Zig-Zag chair, gouache and EPSOM print on paper, 180 x 244 x 48 cm, unique, photo: Aurélien Mole

, 2012, photo: Aurélien Mole

Peg Rail #7 (Letters to a Young Poet) , 2012, wood rail, glass object, nylon rope, coloured leather, found book, pine Rietveld Zig-Zag chair, gouache and EPSOM print on paper, 180 x 244 x 48 cm, unique, photo: Aurélien Mole

, 2012, photo: Aurélien Mole

Peg Rail #7 (Letters to a Young Poet) , 2012, wood rail, glass object, nylon rope, coloured leather, found book, pine Rietveld Zig-Zag chair, gouache and EPSOM print on paper, 180 x 244 x 48 cm, unique, photo: Aurélien Mole

, 2012, photo: Aurélien Mole

Peg Rail #7 (Letters to a Young Poet) , 2012, wood rail, glass object, nylon rope, coloured leather, found book, pine Rietveld Zig-Zag chair, gouache and EPSOM print on paper, 180 x 244 x 48 cm, unique, photo: Aurélien Mole

, 2012, photo: Aurélien Mole

Peg Rail #7 (Letters to a Young Poet) , 2012, wood rail, glass object, nylon rope, coloured leather, found book, pine Rietveld Zig-Zag chair, gouache and EPSOM print on paper, 180 x 244 x 48 cm, unique, photo: Aurélien Mole

, 2012, photo: Aurélien Mole

Peg Rail #7 (Letters to a Young Poet) , 2012, wood rail, glass object, nylon rope, coloured leather, found book, pine Rietveld Zig-Zag chair, gouache and EPSOM print on paper, 180 x 244 x 48 cm, unique, photo: Aurélien Mole

, 2012, photo: Aurélien Mole, Private collection, Sherbrook, Canada

Stripped Cover , 2012, EPSOM print, gouache and lettraset on paper, 21 x 14 cm, unique, photo: Aurélien Mole, Private collection, Sherbrook, Canada

, 2012

Stripped Cover , 2012, EPSOM print, gouache and lettraset on paper, 19.7 x 14 cm, unique

, 2012

Stripped Cover , 2012, EPSOM print, gouache and lettraset on paper, 20 x 15 cm, unique

, 2012, photo: Aurélien Mole

Incomplete and Open , 2012, 12 artist's books and a wood cube, Variable dimensions, Edition of 2 , photo: Aurélien Mole

, 2012, installation view at Galerie Tatjana Pieters

Peg Rail #4 (More Young Americans) , 2012, Wood peg rail, printed fabric, twill tape, nylon luggage belt, hardcover book, artist designed button, leather, 209 x 244 x 16 cm, Edition of 2 , installation view at Galerie Tatjana Pieters

, 2012, installation view at Galerie Tatjana Pieters

Peg Rail #5 (Albatros Omnibus) , 2012, Wood peg rail, replica Gerrit Rietveld Zig Zag Chair, 52 artist?s books, nylon cord, 2kg boat anchor, printed fabric, Variable dimensions, Edition of 2 , installation view at Galerie Tatjana Pieters

, 2012, installation view at G Gallery, Toronto

Peg Rail #6 (You were right...) , 2012, Wood rail, various chains, modified beer 6-pack, 120 x 366 x 16 cm, unique, installation view at G Gallery, Toronto

, 2012, photo: Aurélien Mole

Rules , 2012, Wood, iron, acrylic painting and ink, 2 x 1.5 x 270 cm, Edition of 2 , photo: Aurélien Mole

, 2012

#82, The Missing Novella , 2012, Coloured pencil on paper, 127 x 98 cm, unique

, 2012

#89, Letters to a Young Poet , 2012, Coloured pencil on paper, 127 x 98 cm, unique

, 2011, photo: Aurélien Mole

Six Illustrations for (and/or from) a book that is (and/or will be) titled More Young Americans , 2011, Gouache, pencil, EPSOM print on paper, 6 panels, each 30,4 x 22,7 cm, unique, photo: Aurélien Mole

, 2011, Installation view, commissioned by The Power Plant, Toronto

Albatross Omnibus , 2011, 52 artist's books, cloth bound case, cloth, Variable dimensions, Edition of 10 + 2 AP, Installation view, commissioned by The Power Plant, Toronto

, 2011, installation view at Jessica Bradley ART + PROJECTS

Peg Rail #1 (A turn of 90 degrees is the most one can change direction without backtracking) , 2011, wood rail, pine Rietveld Zig-Zag chair, coloured pencil on paper, wood object, replica Anni Albers necklace, unique artists' book, 150 x 152 x 45 cm, unique, installation view at Jessica Bradley ART + PROJECTS

, 2011, installation view at Jessica Bradley ART + PROJECTS

Peg Rail #2 (walking and chewing the fat at the same time) , 2011, wood rail, pine Rietveld Zig-Zag chair with aluminum paint, 3 pieces of rope, laser cut fabric, unique artists' book , 137.2 x 129,5 x 45 cm, unique, installation view at Jessica Bradley ART + PROJECTS

, 2011, installation view at Jessica Bradley ART + PROJECTS, Collection of Joe Shlesinger and Samara Walbohm, Toronto

Peg Rail #3 (An idea folded into time. An idea folded into space) , 2011, wood rail, pine Rietveld Zig-Zag chair painted oxide green, laser cut fabric, cable on wooden form, rope weaving, unique artists' book , 180 x 152.5 x 46 cm , unique, installation view at Jessica Bradley ART + PROJECTS, Collection of Joe Shlesinger and Samara Walbohm, Toronto

, 2010

December 19, 2010 , 2010, 9 print-on-demand artist's books, wood, cable, 3 x 1 x 1 m, unique

, 2010

Illustration from The Albatross (A) , 2010, EPSOM print and gouache on paper, 61 x 46 cm, Edition of 3

, 2010, photo: Aurélien Mole

Illustration from The Albatross (B) , 2010, EPSOM print and gouache on paper, 61 x 46 cm, Edition of 3 , photo: Aurélien Mole

, 2010

Illustration from The Albatross (J) , 2010, Coloured pencil and gouache on paper, 61 x 46 cm, unique

, 2010

Illustration from The Albatross (K) , 2010, coloured pencil and gouache on paper, 61 x 46 cm, unique

, 2008, photo: Aurélien Mole

I never dreamt that I would get to be the creature that I always meant to be #2 , 2008, lasercut fabric (Geometri 459970 by Verner Panton 1960), Variable dimensions, Edition of 2 , photo: Aurélien Mole

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Presentation :

Derek Sullivan was born in 1976 in Richmond Hill (Canada) — he lives and works in Toronto (Canada)

Employing formal and textual elements that frequently contradict and alter relationships with one another, Derek Sullivan draws upon overlapping histories of modernist design, abstraction and conceptual art to unsettle notions of meaning and authorship. Sullivan uses drawing and sculpture, in addition to producing various ephemeral conceptual projects, to explore his interest in reinterpreting familiar forms in order to open up new areas of inquiry.

Derek Sullivan emploie des éléments formels et textuels qui contredisent et modifie souvent les liens avec les uns et les autres. Derek Sullivan s'inspire d'histoires de design moderniste, d'abstraction et d'art conceptuel qui se chevauchent pour décanter les notions de signification et de titularité d'oeuvre. Il s'inspire du dessin et de la sculpture, et produit des projets conceptuels éphémères pour explorer son intérêt dans la réinterpretation de formes familières afin d'ouvrir de nouveaux domaines de recherche.